Dracunculus a gothick arum

In April I was in Western Crete in the company of a group of botanical enthusiasts. One of the most truly memorable plants, ( not rare, but spectacular) was Dracunculus vulgaris var. creticus The Dragon Arum. I photographed it repeatedly in the scrubby roadside on the Akrotiri peninsula.  As with meeting a group of giraffes on safari, each individual you see seems more unique and and exquisite than the last.

The spectacular spathe of the Dragon Arum

We were all of us equally enthused, exploring among the scrub on the stoney slopes, brandishing i-phones, tablets and cameras, getting in close to verify the alleged powerful and disgusting odour of the flower.

John Corfield seeks the Dragon Arum

Ruth Griffiths verifies the odour

 

Andrew Agnew spotted our first Dracunculus

The stem is thick, fleshy, pale, and sinisterly mottled in purple blotches, and rises up to a metre from the poor earth.  The luxuriant leaves are deeply cut into leaflets and mottled in white, while the chocolate-purple coloured spadix extends from the silky purple enfolding spathe.    Certainly a plant which evokes a sense of drama  –  a Little Shop of Horrors sort of plant.

A month later I was viewing a selection of botanical volumes in the Roderic Bowen Library at Lampeter.  And here, blazing out from the page of a magnificent folio sized volume published in 1799 was my newest favourite flower!  The book was The Temple of Flora by Robert John Thornton  a ‘coffee table’ book for the gentlemen returned from the Grand Tour of Europe.  The bloom, exquisitely rendered in glowing colour, is framed against the eruption of Vesuvius for added drama.

Illustration in Thornton’s Temple of Flora ( 1799)
by kind permission of:
Roderic Bowen Library and Archives
University of Wales Trinity Saint David

And the text tends even further towards the gothick than our own impressions.  After some well-selected phrases  ” a horrid spear of darkest jet”  … “a noisome vapour infecting the ambient air”… the author turns to the poetic works of Frances Arabella Rowden to do full justice to the malign possibilities of Dracunculus:

 

by kind permission of: Roderic Bowen Library and Archives University of Wales Trinity Saint David

by kind permission of:
Roderic Bowen Library and Archives, University of Wales Trinity Saint David

 

Arums are generally poisinous, but the theatrical appeal of this plant has perhaps led to some over-exaggeration.  Dioscorides instead was obviously taken by the sexual connotations of the plant’s appearance for he recorded that “being drunk with wine, it stirs up the vehement desires to  coniunction”.  Not quite so fatal then,  and we don’t really know whether the desires were fanned by the arum or the wine!

I understand that Thornton’s book, in which the 28 colour plates, employing the finest artists and reprographic techniques, bankrupted him as the wealthy clients whom he expected to buy his book suffered financial setbacks through the Napoleonic wars.  It is very tempting to imagine a copy of this book spread open in Thomas Johnes’  octagon library at Hafod, and to picture him and Jane Johnes ogling the illustrations  and sending for a Dracunculus, and perhaps an insectivorous Sarracenia and a night-flowering Cereus (both also illustrated) to grow in their Nash conservatory.  Johnes very possibly did have a copy of The Temple of Flora, but it would have gone up in flames in the disastrous fire of 1807, and there is no record of just what his library contained.  It is thanks to the London Welshman, Thomas Phillips, East Indian Company Surgeon, that The Founder’s Library at Lampeter received a copy of this, and many other rare books in the mid 19th century.

The book, and many others may be seen, by appointment at the Roderic Bowen Library http://www.uwtsd.ac.uk/rbla/

There is an online exhibition listing the botanical volumes in the collection.http://www.uwtsd.ac.uk/rbla/online-exhibitions/from-herbals-to-floras

Poring over the exhibition by kind permission of:
Roderic Bowen Library and Archives, University of Wales Trinity Saint David

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The Nanteos Racehorses

William Edward Powell was one of the more colourful squires of Nanteos.  Born in  1788 the eldest son of Thomas Powell, his father had died when he was just nine years old.  After a bruising childhood educated at Westminster School and domiciled largely in London with his mother and younger siblings, he rapidly setting about making his mark on attaining his majority  on 16 February 1809. The young Captain in the Royal Horse Guards held a lavish coming of age party at Nanteos at which his mother and sisters were perforce absent, exiled by debt to Dublin.  In the preceding months he had been living it up in Bath, and sending for game from his estate to feed his guests. Gossip had already linked him to a beautiful young lady – one of a numerous family – and the Nanteos Agent Hugh Hughes recorded the rumour that Powell would be married by 16th February and that the Birthday would be also a wedding visit.

Within the year he had reclaimed management of the Nanteos estate, commissioned the valuation of the Nanteos plate   (1757 ounces of silver valued at £527.6s 10d) and  commissioned a handsome survey of the many Powell properties in Aberystwyth.  Demands on the estate included his mother’s substantial unpaid debts, amounting to £5,500  and the likely dowry requirements of his sister Elizabeth who would be owed £5000 at marriage or on attaining the age of 21. None of this deterred him from an early marriage, on 4 October 1810 to Laura Phelp, who was probably the sweetheart with whom his name had been linked the previous year. In the same year Laura’s brother Edward sought the hand of Powell’s sister Ellen Elizabeth, thus creating a second link between the impecunious Phelp family of Leicestershire, and the financially embarrassed Powells. They were married in 1811.

Recently come to light through the researches of a descendant of the animal artist Thomas Weaver are some letters from Powell’s father-in-law, Mr James Phelp to the artist.  On 29 July 1812 James Phelp wrote:

“I suppose you have heard that Captn Phelp is married to Miss Powell, a sister of his brother-in-law, a nice, sensible, agreeable young woman, and one I hope and trust will have a proper influence over him”

Reporting on his three unmarried daughters, Julia, Octavia and Fanny, he continued:  “Powell has taken the majority of Cardiganshire and is now with Fanny  at Lochrea Ireland. Julia and Octavia are at present on a visit near Bath. They were not at the Cardiff races which ended about ten days since and was numerously attended, although the sport was not good owing to the goodness of Powell’s horses, Banker and Ad Libitum. They won everything and are expected to do the Principality. I wish at the time we were at Hunters –  you could have contrived to have paid us a visit there as you was to have painted them and Prospero who is the finest horse I think in England if not in Europe”.

Nothing I have found in the Nanteos archive mentions Powell’s racehorses Banker and and Ad Libitum so we may speculate as to whether Powell’s investment in racing was prolonged or a success.  The tone of this letter implies that his horses were in fact too good for the Cardiff races, and so the betting was unexciting.  Prospero  may also have been Powell’s horse, or alternatively another horse which James Phelp greatly admired and wished his friend and protegee Weaver to paint.   I hope that a racing historian may eventually throw light upon these names.

William Edward Powell in costume of Lord Lieutenant of Cardiganshire

William Edward Powell in costume of Lord Lieutenant of Cardiganshire

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

What is certain is that while Powell pursued the enthusiasms of a young gentleman of his class, his financial situation was extremely perilous, and remained so.  In February 1810 he had also received the nomination for High Sheriff of Cardiganshire, a post obliging the holder to entertain in lavish  fashion.  Powell’s lawyer was so alarmed at the prospect that he advised Powell to obtain notes from his physician and apothecary in support of his inability to do business of any kind.  Powell did not heed this advice and continued to duck and dive through the following years, neglecting his wife Laura, supporting a mistress, and consorting in the Prince Regent’s entourage in London.   In 1822 Laura died, and the next year Powell narrowly avoided bankruptcy, only by the sale of unentailed land in Montgomeryshire.

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A walk at Borth

by The Curious Scribbler

There has always been something reassuringly bleak about Borth.   A treeless ribbon of buildings along either side of a road built along the storm beach.  Some of the cuter buildings are one storey cottages,  fashioned out of rounded beach boulders and roofed in slate, homes of long departed fishermen and mariners.  Then there is the surge of late nineteenth and early 20th century buildings, more suburban in style, detached and terraced houses of two or even three storeys dwarfing the original inhabitants of the bar.  These houses all face inwards onto the road, but the seaward rears of those on the western side are were always battened down come autumn with variously makeshift shutters and boarding designed to keep out the winter storms.  For winter storms regularly lash Borth, bursting over the seaward houses and showering beach pebbles through the gaps onto the road.

And that is why Borth has recently been undergoing drastic alterations,  new sea defences involving great berms of boulders out in the sea, and a huge unsightly reshaping of the foreshore adjoining the southern part of the village.  On summer days a decade ago one could walk through a gap between the houses and immediately emerge onto a natural strand of big rounded beach stones, then descend to a truly wonderful vast sandy beach, punctuated by aging wooden groynes, and lapped by an endless sequence of lazy small rollers lapping on the shore.  We would buy pizzas and eat them on the stones on a summer evening, and then go in for a last dip swimming and bodyboarding before heading home.

But last week it was not a day for swimming, and the second phase of the new sea defences was well under way.  Huge yellow diggers on caterpilllar tracks articulated their giant scoops in the shore and Volvo dumper lorries roared back and forth along the once pristine sands.  The groins were being plucked out by  another machine, like toothpicks from the sand.  A pile of stones destined for another berm reared high as houses, dwarfing the municipal loo nearby.  The shore was entirely churned and dominated by the machines, digging out the peat and clay below the intertidal zone and transporting the excess material up to big waste piles by the promenade.

Diggers parked by the Public Conveniences on Borth sea front.  A huge stone pile awaits its final location on the lower shore.

Diggers parked by the Public Conveniences on Borth sea front. A huge stone pile awaits its final location on the lower shore.

Diggers and dumper lorries at Borth.

Diggers and dumper lorries at Borth.

Clay and peat dug out from the lower shore at Borth.

Clay and peat dug out from the lower shore at Borth.

 

I returned on the Sunday, when the site was quiet.  Inside the security fencing on the upper shore were caches of materials and site waste:  excavated clay and peat, old Victorian  pilings with armoured metal points,  and quarried boulders trucked in from Pembrokeshire. But there was another category of waste : piles of tree stumps, their roots frayed and yellow where they have been torn from the ground, their  bark still scaly and intact though waterlogged.

Ancient tree stumps for the submerged forest, dug out during the storm defence work at Borth.

Ancient tree stumps from the submerged forest, dug out during the storm defence work at Borth.

 

 

Lumps of excavated clay  laced with roots descending from what was once the surface of the forest floor.

Lumps of excavated clay laced with roots descending from what was once the surface of the forest floor.

The trees have come out of the grey clay in the intertidal zone, and are 6000-10000 years old remnants like the more familiar ‘fossil forest’ which gets exposed at low tide on this beach when the sands shift.  They look much fresher that those, perhaps because they have been entombed in sediment rather than smoothed and battered by the waves.  The giant diggers unearthed them when preparing platforms for the new berms on the lower shore.

They are piled up in tangled heaps now, each with a survey label attached, and destined to go off to Lampeter University for carbon dating and other tests.  The old legend of Cantre’r Gwaelod has never seemed more convincing. Judging by the scaley bark, many of these trees appear to have been pine trees, which formed a forest west of Borth when sea levels were lower. And they all look much of an age, and as if some catastrophe resulted in their preservation.

This ancient tree looks like a pine, formerly growing west of Borth village.

This ancient tree looks like a pine, which formerly grew west of Borth village.

 

Was it really a gradual rise of sea level which killed them?  If so, would they not have died standing, and rotted and weathered over the years?  Or was there  a sudden breach of a shingle bar which formerly marked the coastal margin further out to the west, and swiftly brought about their burial in sediment?   If that is the case it’s not a far cry from the old legend of the drunk Welsh prince Seithenyn, who one night forgot to close the sluice gates to the kingdom as the tide rose.

 

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Rutelli’s naked lady at Aberystwyth

by The Curious Scribbler

There have been several developments in the story of ‘Humanity emerging from the Horrors of War’,  the somewhat unexpected sculpture at the foot of Aberystwyth’s war memorial. ( search ‘Rutelli’ in earlier blogs to follow the story).  Through internet searches I had located an apparently identical sculpture, in Rome, which, according to Marco Demmelbauer, the restorer who had worked on her some twenty years ago, was called Verità esce dai rovi ( Truth emerges from the bushes).

Recently I had a message from Rome-based historian Nicholas Stanley Price who went in search of her at Via delle Quattro Fontane 18.  He reported instead that she is now to be found at Via delle Quattro Fontane 15,  next door to the Palazzo Barberini, home of the National Gallery of Art.   She is indoors now, in a hallway, and the context of the pictures reveal that rather than being a precise duplicate, Truth is half the size of Aberystwyth’s lusty Humanity.  Moreover there are some discernible differences, especially in the twiggy foliage from which the figure emerges.

Truth emerging from the Bushes, in the hallway of Via Quattro Fontane 18

Truth emerging from the Bushes, in the hallway of Via Quattro Fontane 15, Rome Photo Nicholas Stanley Price

 

 

 

Rutelli Truth emerging from the bushes 3

Truth emerging from the bushes. Rome. Photo by Nicholas Stanley Price

Now I have another correspondent, Alan Wynne Davies, who is off to Rome shortly to have a look at her.  I hope he may be able to throw light on that sculpture’s history.  I believe she was taken for restoration from an outdoor situation in the courtyard of a block of flats at No 15.  It would be nice to find out when she was actually commissioned, and whether the design follows or pre-dates the Aberystwyth nude which records show was being cast in Rome in April 1922 and shipped by Thomas Cook to Liverpool in  October 1922.

And in a separate strand, I was given the chance to follow up on a recurrent urban legend: that the Aberystwyth sculpture was modelled upon the wife of the proprietor of Ernie’s Fish bar in this town! The trail led to Nora James of Trefechan, a handsome elderly lady who is a local matriarch and daughter of the alleged model.  Mrs James’ mother  Maria Pelizza was married in Italy to Ernest Carpanini, an Italian who had worked in the restaurant and ice cream business in South Wales before the first world war.  Moving first to Llanelli, the young bride found herself by 1922 in Aberystwyth where her husband Ernest and his partner Joe Chiappa opened a chipshop called ‘Ernie’s’ by the town clock.  Maria spoke very little English and mainly worked in the kitchen, but both she, and the massive sculpture on the memorial were new to town, beautiful and Italian. Thus, I believe, the myth was born, perhaps as a tease by the customers.

Nora recollects that her mother always dismissed the allegation, and no member of the family supported the outrageous suggestion that she had ever modelled in the nude.  However the the myth was accommodated with the vague suggestion that someone “had got hold of a photo of her face” and that this likeness was reproduced.  More prosaically I think that the likeness was a coincidence born of the Italian features of Maria Pelizza and the Italian model in Rome.

Nora James, daughter of Maria Carpanini the alleged model for the Aberystwyth war memorial

Nora James, daughter of Maria Carpanini the alleged model for the Aberystwyth war memorial

Ernesto and Maria Carpanini founded an extensive Welsh family and most of  their grandchildren work in or around Aberystwyth.  It is a sad note that Nora recollects that her father, who was on account of his nationality interned on the Isle of Man for the entire second world war, returned home a shadow of his former self in 1945 and never fully regained his former spirits.

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Nobody wants the Queen’s Hotel

by the Curious Scribbler

I mentioned in my last blog the cutting-edge luxury of the former Queen’s Hotel on the northern end of the promenade.  Opened on the newly extended promenade in 1866 its grand bedrooms offered hot and cold running water, – both fresh and salt –  allowing the guests to enjoy the advantages of sea immersion in the comfort and privacy of their rooms.  It was an extravagantly fashionable building, blending the traditional grey local stone with imported sandstone window dressings, and topped off with a frenchified mansard roof pierced by attic dormers.  The building rises from a basement to four storeys, even a fifth storey at the corner tower, and the observant passerby can find ornamental assemblages of minerals set in panels in the stonework beneath the ground floor windows on three sides of the building. It was designed by the London architects C.F. Hayward and H.D. Davies.

The Queens Hotel, forlorn and for sale

The Queen’s Hotel, forlorn and for sale

The Queen's Hotel and former Council Offices, Aberystwyth

The Queen’s Hotel and former Council Offices,
Aberystwyth

The business was not very successful and sold by its proprietor in 1877.  However it continued as a hotel and in 1910 an advertising pamphlet emphasized the ‘package deals’ of train fare and accommodation, which could be purchased from Great Western Railway stations in low season.   The particulars of a Contents Sales in 1914 show that it was then richly furnished with lots of high Victorian mahogany furniture, jardinieres and bronze marble-topped tables.  It remained in service as a hotel with 100 bedrooms and a dining room seating 180 until requisitioned in World War II.  In 1950 a five day sale disposed of the entire contents of the hotel and nearby stabling.    The empty building was acquired for ‘Swyddfa’r Sir’ the County Offices, and  in the past decades it has housed many departments including the Police Station, the Registry Office, and the Ceredigion County Archive.  One by one these functions have moved away, the first two to purpose-built palaces on St Brieuc Avenue, the County Archive to a restored and renewed Town Hall.  Empty and forlorn for the last couple of years, the Queen’s had a brief starring role as a location for the TV drama Hinterland.  A case of art imitating life:  the old building was cast as the Police Station!

After 18 months on the market for £1 million the building has attracted no buyers, and will be auctioned in London by Allsop’s on 18 September.  Startlingly at a time when £275,000 is the price for a one-roomed house with bed shelf in Islington, a mere £250,000 is the guide price for this gigantic Victorian hulk on our seafront!  The stately old building is Lot 171 amongst a national assortment of 285 frankly rather ordinary houses and flats.     It is, at least, expected to raise more money than Lot 236, a bankrupt guest house in Rhyl.   Aberystwyth waits anxiously to learn who the next owner will be.

For more on the Queen’s Hotel see Helen Palmer’s informative blog on https://archifdyceredigionarchives.wordpress.com/2014/09/05/memories-lost-and-found-swyddfar-sir-and-ceredigion-archives/

 

A geological panel below a window on the Queen's Hotel

A geological panel below a window on the Queen’s Hotel

A geological panel below a window on the Queen's Hotel

Another geological panel below a window on the Queen’s Hotel

A geological panel below a window on the Queen's Hotel

A third geological panel below a window on the Queen’s Hotel

 

 

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Aberystwyth’s Bathrock Shelter resurrected

 

Pristine and restored, the Bathrocks shelter

Pristine and restored, the Bathrock shelter on a chilly afternoon, 21 August 2014

Back in its rightful place, after the terrible drubbing during the storm of 3-6 January,  is the neo-Georgian shelter on the Aberystwyth Promenade.  It was publicly reopened last Saturday with the mayor, the Chairman of the County Council, the MP and other dignitaries in attendance.  It is salutory to remember that the Cadw listing recently bestowed on the building probably saved its life.  There were until three years ago two such shelters on the promenade, the smaller of which was demolished and removed in January 2011.  The surviving Bathrock Shelter was listed Grade II shortly afterwards.

The name of the shelter ‘Bathrock’ alludes to a former building in this position:  Dr Rice William’s Marine Baths which were built in 1810.  At the time they were the most northerly feature on the sea front, a two storey building providing Aberystwyth’s visitors with the curative benefits of sea water served in a variety of ways in a situation of complete privacy.  Each private room provided a bath ‘six feet long and two and a half wide, lined with Dutch tile, which being much less porous than marble, is more effectually cleansed from all impurities to which they are liable’.  Baths could be taken cold or hot, and in the form of a plunge bath, a vapour bath or a shower.  Boilers heated the water, and the visitors could be further assured that the water was drawn along cast iron pipes reaching far out into the bay.  The spectre of inshore pollution from other bathers, or the donkeys pulling bathing huts, could thereby be avoided.

The baths eventually closed in 1892.  Bathing was still in vogue but  by this time for those requiring an indoor experience, there was a new bath house on Bath Street, which instead boasted the Chalybeate waters of a nearby spring, while at the Queen’s Hotel on the promenade the guests enjoyed taps dispensing, hot water, cold water and sea water into their baths.  The promenade was being extended in a northerly direction, and the remains of the old marine baths were incorporated into it,  roughly filled, it seems, with rubble from the demolition.  In 1924 a new shelter, glazed down its spine and providing seating facing in each direction, was erected on the curved prominence above bath rocks.

The remains of the old bath house was unexpectedly revealed to view when the winter storm tore away the stone facing of the promenade.  The sea soon excavated a hole through which the rubble fill was sucked away exposing a sea cave beneath the shelter.  It was a man-made cave, with walls, partitions and even a fireplace.  As the concrete pad on which the shelter stands collapsed into the void, the building flexed, twisted and subsided into the hole.   Police stood by to prevent incautious exploration, and in the following weeks the damaged structure was dismantled and stored pending restoration.

By January 7th 2014 the Bathrock Shelter was subsiding into the hole below

On January 7th 2014 the Bathrock Shelter was subsiding into the hole below

The Hole which opened under the Bathrock Shelter on 4 January 2014

The Hole which opened under the Bathrock Shelter on 4 January 2014

 

The partitions of the rooms of the old bathhouse could be clearly seen.

The partitions of the rooms of the old bathhouse could be clearly seen.

The shelter is the last item in a programme of repair of the promenade which was in the main completed before the season began at Easter.  In the blazing days of July, when temperatures often exceeded those in Spain, and the sea temperature reached a balmy 17C the old timbers of the restored and replaced shelter was await their first coat of paint.

On 6 July 2014  the shelter was back, but  yet to be painted.

On 6 July 2014 the shelter was back, but yet to be painted.

Now the weather has turned grey and cold, and in the coming winter it will be particularly appreciated as a windbreak on the bracing seafront.

Necessary shelter on a chilly afternoon.  21 August 2014

Necessary shelter on a chilly afternoon. 21 August 2014

 

 

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New gardens on the Rheidol Railway

by The Curious Scribbler

For the first time in 28 years, I travelled with members of my family on the Vale of Rheidol Railway, which puffs its way sedately from Aberystwyth to Devil’s Bridge, laden with tourists. My previous journey was described in this blog on February 10 2014. http://www.letterfromaberystwyth.co.uk/historic-derailment-on-the-devils-bridge-railway/  It had been abruptly curtailed on the return journey by its derailment near Nantyronen.

On this year’s journey ours was a special, stopping train, which halted at every station along the route. The passengers, members of the Cardiganshire Horticultural Society and the Ceredigion Welsh Historic Gardens Trust were bent on visiting the latest developments, – newly planted railway gardens at each of the stations and halts along the line.

Inspecting the trough at Capel Bangor station

The whole operation has prospered under the charitable trust which bought the railway from British Rail twenty five years ago. There is a substantial new engine shed with brick built gable ends near the station at Aberystwyth, and an attractive private car park dedicated only to Rheidol Railway travellers. At every halt the station buildings have been smartly restored and painted in the railway livery of cream and brown. At Aberffrwd one can play at stationmaster with the old telephone and ticket shelves in the corrugated iron and pitch pine building. At other halts a newly installed but tastefully gothic corrugated iron shelter protects waiting passengers from the elements. The latest initiative has been to create gardens such as might have been tended by proud stationmasters along the route. These have been planted and tended by local volunteers.

At Capel Bangor we alighted near a raised bed margined by railway sleepers planted with Victorian formality. French marigolds in yellow and orange framed taller plantings of pink cistus and the statuesque Bishop of Llandaff dahlia. The line divides to serve both platforms here, and they are adorned with stout barrels. I particularly liked the one containing a standard bay tree underplanted with brilliant red geraniums which echoed the signage on the picket fence beyond.

Capel Bangor Station

Tub on Capel Bangor Station

At Nantyronen the French marigolds were to be found again, but this time in long raised troughs along the platform and interplanted with verbenas and other bedding plants.

Nantyronen Station

Nantyronen

Troughs at Nantryonen

At Aberffrwd a more ambitious border between the platform and the fence was planted with perennials, Canterbury bells, peonies, astrantia, Erisymum ‘Bowles Mauve’ and Japanese Anemones.

Here the volunteers were distraught, on the eve of the station’s official re-opening by Tourism and Transport Minister Edwina Hart, to find that many of the flowering stems had been snipped off some 10inches above the ground. Close inspection revealed rabbits to be the culprits, apparently reaching up to nibble off the flower stems and eat the flowers.   Hasty replanting with colourful osteospermums filled in for some of the losses. Rabbit repulsion in a rural area remains a challenging goal.

Inspecting the border at Aberffrwd

Rabbit damage

Less toothsome to rabbits and very much in keeping with the landscape is the slope on the side facing the platform, which has been planted as a sedum bed, in which the name of the station is spelt out in white painted river stones.

Sedum border at Aberffrwd

The line divides again here, and it was nice to watch the downward train exchange batons with our driver and continue on its way.

Trains pass the baton at Aberffrwd

We paused at The Rheidol Falls stop, to see the azalea planting and a clematis montana which will soon gallop exuberantly along the fence.

Fire buckets at Devil’s Bridge

We dismounted at Devil’s Bridge to find four red fire buckets planted with gaudy gazanias. After a lavish lunch at the Two Hoots Cafe we rattled back down to Aberystwyth with just a pause at Rhiwfron, the other high altitude stop. Here the visitor looks out northward across the valley to the cream and gold spoil tips of mining on the other side. A hundred years has not diminished its mineral toxicity, and only a few trees have gained foothold on these slopes.

Spoil tips viewed from Rhiwfron Halt

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Revisiting the hillfort at Castle Hill, Llanilar

by The Curious Scribbler

My first home in Wales, thirty years ago, was in Castle Hill, Llanilar, a trim Georgian mansion built in 1777 by John Williams. It is today still occupied by the Loxdale family: direct descendants of  the brother of Shrewsbury heiress Sarah Elisabeth Loxdale, who married John Nathaniel Williams, the son.

In the mid 1980s we occupied the top flat, which comprised the entire third-floor of the old Georgian house, in which a central staircase opened onto a large landing giving onto four  equally huge rooms.  An ambitious adaptation in the 1960s had added an external wing containing only a staircase, which gave separate access to our floor. Once upstairs we enjoyed a giant sitting room and an equal sized bedroom overlooking the garden, while the other two rooms had been divided to create dining and kitchen in one and a second bedroom plus access corridor in the other. I have always remembered the original latch fittings on the four doors onto the landing.  Each was designed to allow a guest to unlock their door to the servant on the landing, without the inconvenience of getting out of bed.  The furniture was antique and the whole ambiance would now be called shabby chic. The old oak floors undulated underfoot, and at night, mice could be heard scrunching behind the skirting boards.  The only serious disadvantage was for my tall husband, because the four original doorways were lower than 6 feet whereas the newly formed doors were standard sized.  It was a slow learning curve to duck between the hall and the sitting room while progressing normally from sitting room to dining room and kitchen.
We lived here when our first daughter was born and for almost 3 years afterwards. Often on fine days, with my baby in a carrier, I would stroll up the hill past the farm, climb a gate and head off up to the hill top from which Castle Hill takes its name. Truly it was the top of the world up there, views spreading panoramically in every direction so that even the distant mountains appeared on the level with my vantage point.  The ground was grazed by a young cattle and sheep, tussocky with with patches of gorse and bracken and the silence (except when shattered by low-flying jet) was immense.  I never met anyone else up there (there is no public right-of-way) yet it never felt lonely – a place with great resonance of the past.

Recently I revisited Castle Hill with the Ceredigion Historical Society under the expert leadership of Toby Driver from the Royal Commission for Ancient and Historic Monuments. As we stood once again on this hilltop earthwork, Toby took us through the history of the fertile Ystwyth valley.  The Welsh landscape is so easily dismissed as empty.  Instead it is better imagined teeming with life and human activity ever since Neolithic times.  Pollen sampling has revealed that the wildwood is long gone, active deforestation was well underway by the late Iron Age and  by the early Roman period  the woodland cover was probably similar to that we see today.

Other recent archaeological advances include the discovery a few years ago of the substantial Roman villa between Abermagwr and Trawscoed, which is a few miles up the Ystwyth Valley. The Romans had a camp at Trawscoed, but they  did not merely march through Wales subjugating the Celts. They settled and farmed here bringing costly artefacts such as glass and pottery from other parts of their Empire.
Toby explained the many phases of occupation of the Pen y Castell hillfort. Earliest is a curving earthwork revealed by aerial laser scanning, which probably represents a Bronze Age hillfort.  This was superseded around 400 BC by a substantial ( 1.7 hectare) Iron Age hill fort with a gateway approach on the south eastern side.  Its ramparts surmounted by a timber palisade it would have been an intimidating structure to approach from below.  Protecting a village of round huts and grain stores, this would have been just one among the many fortified hilltops marking the Iron Age communities of the region. A larger community has left its distinctive footprint on Pendinas, where the Ystwyth reaches the sea.
We gathered within the ramparts on the southern side of the Pen y Castell summit.

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Seated on the ramparts of the hillfort, looking northwest to Llanilar

Puzzlingly, the other half of the overall summit is inaccessible due to a deep cut trench or cutting running east-west.  Scholars have puzzled over this feature throughout the 20th century. Some believe that a medieval motte and bailey was superimposed on the site around 1242.  If so it was a Welsh one, unlike the Norman castle first built at Tanycastell, Rhydyfelin which gave its name to Abersywtwyth.  The northern part may then have been the location of the keep, approached by a bridge across the chasm. Others suggest the trench was a created by post medieval quarrying to supply local building needs.

Much more archaeology is needed to tease out the history. The most recent finding here has been traces of a trapeziodal enclosure on the slope below the fort which is interpreted as another Romano-British farmstead, perhaps a tenant of the Roman villa at Aberamagwr.

The hillfort commands a view eastward up the valley to Trawscoed

The hillfort commands a view eastward up the valley to Trawscoed

Gathered in the sunshine with bluebells at our feet we all enjoyed that very special sense of place, and the realisation that this is not ‘Wild Wales’, but instead extremely tame Wales, a scene of homes and villages supported by pastoral and arable activity for more than 5000 years.  The parade of wind turbines on the skyline is perhaps deplorable, but can also be seen as just another symptom of fifty centuries of human exploitation of the landscape.

Wind turbines on the skyline of Mynydd Bach, six miles to the south

Wind turbines on the skyline of Mynydd Bach, six miles to the south

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Historic derailment on the Devil’s Bridge Railway

Wet winters are the time for reminiscences, and for ferreting out memorabilia amongst the old photographs which every family accumulates.  This activity recently took me back almost 28 years, to my last excursion on the Vale of Rheidol Railway and a sensational incident now largely lost in the mists of time.

The railway is one of the last narrow gauge railways to be built in Britain, commissioned by Act of Parliament in 1897 as a multifuctional line.  It would transport tourists between Aberystwyth and the spectacular beauty spot of Devil’s Bridge, but it would also extend from Aberystwyth station to the harbour, and facilitate the export of timber and of lead ore from the mountains through which it passed.  There were some difficulties with the financing, but the line opened in 1902 and in its early years it flourished, and indeed stimulated the re-opening of several of the lead mines which to this day scar the flanks of the valley with their mineral-rich spoil heaps.  Two wars and several changes of ownership followed, and at many times the axe must have hovered over this eccentric little railway.  In 1912 it became part of Cambrian Railways, and in 1923 the company was absorbed by Great Western Railways.  In 1948 it became a small but anomalous part of British Railways.  It seems extraordinary that this little steam railway escaped the Beeching cuts.  Aberystwyth lost its rail link to the south at this time, the line which meandered through Llanilar, Tregaron and down to Carmarthen was closed.  Ever since that decision  the residents of Aberystwyth have had to travel to Shrewsbury, in England, before they can get to south Wales.

So on 26 May 1986, when my husband and I and my young children boarded the train with other families for an afternoon excursion to Devil’s Bridge we were in fact travelling on the last steam railway to be operated by British Rail.  It was a fine day, and we all piled into one of the  cheaper fare open carriages which had unglassed windows from which it was customary to wave frenetically at the motorists queued up at the level crossing in Llanbadarn. Then we chugged sedately up the valley, pausing at tiny stations along the way.  At Nantyronen we stopped to take on water.  Children hung out of the windows and  watched fascinated as a great grey hose like an elephant’s trunk was swivelled over the engine to pour water into its tank.   Then the train set off once more, to Aberffrwd, Rheidol Falls and Rhiwfron Stations before arriving at the terminus at Devil’s Bridge.   Here the adventurous would pay for tickets to pass through the tall green turnstile gates and explore the precipitous footpaths of the Mynach Falls and gaze up at the three bridge arches, sitting piggy back atop each other, so that the public road now crosses the valley at a great height above the river.

The open-sided third-class carriages were at the rear of the train on the outward journey up the valley in May 1986

The less adventurous, and those with small children would buy ice creams at the kiosk and return to the station half an hour later for the return journey.

In the cheap fare carriages we sat upon bench seats, hung out the windows and sometimes inhaled a gust of steam and soot from the Owain Glyndwr which propelled us.  But there was a grander option, the First Class Carriage, which had glazed windows, and upholstered seats, just like a full sized train.  And in 1986 there was also a special, even more expensive coach, the Vista Car which we had recently watched passing the Llanbadarn playground.   In it the passengers sat in tiered rows like a theatre, all facing out the side to admire the view through a big plate glass window.  The line hugs the south side of the Rheidol valley so the big views were all to the north.  It was the front carriage on the outward journey and the last carriage, at the back of the train on the return.

The return journey is easier for the locomotive, being downhill or level all the way, and there was no water stop at Nantyronen.  But 1/3 of a mile further along, as the train rounded a gentle corner and passed through some trees, there was a violent lurch, metallic screeching and our train jolted to a halt.  Leaning out of our open sided windows we soon realised that while we 3rd class passengers in the front three carriages remained on the tracks the last two carriages were tipped over at an angle of 45 degrees, stopped from falling further by the felicitous presence of a small embankment beside the track.  The driver, the only attendant on the train, walked back along the track to view the scene as the First Class passengers, some visibly shaken threw back the doors and clambered out the upper side of their leaning train.  Those in the Vista Car had all been tumbled onto the plate glass, and had to clamber along it to emerge through the end door on the other side.

The Vista Car at the rear of the train had tipped over, dragging the next carriage with it

1986 was before mobile phones and the driver had to walk off to find a landline to summon assistance.  Then everyone was instructed to walk back to the nearest halt and wait for buses to collect them.  I don’t believe anyone was more than bruised but it took a further two hours before we were returned the six miles to Aberystwyth.  Many mused on the disastrous possibilities had the accident occurred on a different corner, without embankment, where the carriage could have rolled unimpeded into the valley below, dragging the train with it.  Most of us felt very lucky and I don’t think anyone received compensation.

The front three carriages remained upright, while the rear two had lurched off the line.

Passengers emerging from the Vista Car and the First Class coach in front of it.

The Vista Car was never seen again.  It was new that season, and on that fine May day, heavily laden with passengers seated in tiers, I believe that its uneven distribution of weight and high centre of gravity  caused it to topple on the bend, pulling the rest of the train with it.  A British Rail Accident Enquiry was announced in the local paper the next week but I never heard the result of it.  In 1989 British Rail was privatised and the railway is now run by a charitable trust.

For years afterwards my young children would demand to play the “Devil’s Bridge Railway game”, which consisted of a leg ride on a parent seated on the sofa.  The ride became gradually more vigorous until suddenly the giggling child would be pitched off onto the floor to the accompaniment of squealing sound effects.  Re-enactment games are the best.  Before long it can be played all over again, with my first grand-daughter, who was born at Christmas.

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Tanybwlch Beach undergoes a radical reshape

Tanybwlch beach is one of those beaches which grades its pebbles.  It forms a generous arc south of the concrete jetty which shelters the harbour at the mouth of the Ystwyth and Rheidol rivers. At the north end the foreshore is an ankle-breaking slope of big round stones up to the dimensions of a small loaf,  and even near low tide mark there are pebbles, not sand.  At the middle of the curve, by contrast,  is a beach of dark sand, winnowed by the steep suck of the waves.  Down near the southern end, below craggy Alltwen the sea only deposits a floating load.  Here one finds lobster pots, fishing floats, the occasional dead dolphin, and great quantities of driftwood and uprooted seaweed. Of sand and pebbles there is very little, they move inexorably northward, leaving the rock pools largely free of sediment.

This is my favourite beach.  Not for swimming,  the shore shelves steeply and the undertow is well known, but for its elemental wildness, its dark grey pebbles, and gritty sand jewelled on close inspection by many shades of tiny smooth pebbles, amber and creamy quartz, jasper, granite, mica, all alien travellers brought by the glaciers which carved their way across this land. Niall Griffiths in his debut Aberystwyth novel Grits was so taken by Tanybwlch beach’s dark brooding grandeur that he described it as a volcanic landscape.  But it is not.  Its jagged outcrops are of the prosaically named Aberystwyth Grits – greywackes to the geologist, layers of muddy silt hardened to stone since their accumulation under Silurian seas.

The wild grandeur of Tanybwlch beach

Along the shingle bar which separates the beach from the low lying meadows beside the Ystwyth runs a rough road.  In Victorian times a small railway ran along it bearing stones from the quarry at Alltwen to their destination in the buildings of the town. In the twentieth century it gave access to the length of this deserted beach, a refuge for rod fishermen encamped along the shore, wild campers, insalubrious assignations, and the occasional impromptu party fuelled by the copious driftwood.  In summer brash tattooed men from the Midlands would roll up, with trailers, power boats or jetskis and launch them from the sandy middle of the bay.  That pastime ceased though, when the northern half of the beach was designated a local nature reserve, and a new barrier prevented vehicular access along the  bar. On balance it was a good decision, but not everyone was instantly won over and several years of barrier vandalism followed the change.  In recent years only keyholders such as the adjoining farmer have driven along the bar, and the life of the beach has become pedestrian, though not necessarily sedate.

The recent storms have wrought an elegant transformation.  Approach the car park at the end of Penyranchor and you will find it closed, for it is impassible due to a liberal scattering of those big round beach stones.  Press on beyond the barrier and there is no road to walk along.  Huge wave force has lifted the sloping pebble beach up over its former crest and deposited it on and beyond the road.  Waves surged over the beach barrier throughout its length, taking a slew of stones down the landward side, running briskly through the old shingle where the ancient prostrate dwarf blackthorn grows, the seawater rejoining the tidal Ystwyth river beyond.  And the consequence is the most elegant re formation.  A sculpted bank of round beach stones rises from the beach and descends, less steeply to the grassy slope descending to the river. Harder walking.  Quite undrivable.  But no one needs to drive through a local nature reserve anyway.

The new beach profile has entirely buried the road along the strand.

Farther to the south the encroachment has been of clean gritty beach sand. Here the sea has tended to break through in the past and the road runs on a barrage of concrete, with low walls on either side, a nice spot to sit and look out to the westering sun, or east to the sharp bend which the Ystwyth takes as it meets the strand.  It’s still a nice place to sit, but its road function now looks remote.  Erosive forces have cleaned away the ground where the concrete ends.  It is now a massive step up onto the concrete road at either end.

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The concrete road at the centre of the bay has been excavated at either end by the waves.

As I’ve said, the sea at Tanybwlch removes stuff at the south end of the arc, and moves it, the heavier the further, to the north.  So as one approaches Alltwen there is less sand or pebbles scattered on the foreshore.   Instead the sea has torn away at the turf and the big quarried blocks placed there as sea defences.  Some of these big stones from Hendre quarry have actually been trundled up slope and over onto the former road.

Tanybwlch Beach. Turf and sea defence stones rolled back by the force of the sea

It is here, near the south end that the beach last breached, in a big storm of 1964.  It hasn’t happened yet, but there are no national plans to defend this piece of seashore, and it doubtless will.  The consequence will be most picturesque.  With this (and during many lesser storms) the fields below Plas Tanybwlch become a shallow brackish lake, visited by appreciative gulls and waders.  The strangely rounded hill fort of Pendinas looks well with the blue winter sky reflected at its foot.  The dark bulk of Alltwen also rears elegantly above the foaming rollers to the one side and a still wide pool on the other.

The tranquil winter sunshine falls on a large salty flood below Plas Tanybwlch

Pendinas stands above the new brackish lake on the Tanybwlch flats

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