A Garden of Concrete Memories

by The Curious Scribbler

There has been quite a lot of publicity this summer about Carreg Llwyd, ( Google ‘Mark Bourne Wales’ for a selection: the Daily Mail, the BBC, Wales Online, and even The Times ran articles this summer).

The story concerns the extraordinary scale models built by writer and chicken farmer Mark Bourne, who died about ten years ago.  Some will remember his many contributions to the Cambrian News and Country Quest.  His remote garden on a terraced slope near Corris has become dilapidated and overgrown and The Little Italy Trust has recently been set up  to preserve it.  Jonathan Fell, gardener and conservator showed me round.

A medley of Italian buildings climb the mountainside

Looking up from the adjoining footpath one sees an amazing medley of model buildings, their facades facing westward, marching up the slope, fading away into the dense conifers above.  Nearest to the house is a signature piece, The Duomo in Florence, just four feet tall and neatly labelled with an inscribed slate slab reading Santa Maria del Fiore.  Nearby, ascending from the top of the boundary wall are the Spanish Steps from Rome.    These and every other garden feature have been fashioned out of concrete, often impregnated with pigments to mimic the warm tones of southern Europe. There are palazzos, churches and towers, mostly palladian and always clearly labelled, often like a guide book with architect and date, which you approach by a labyrinth of concrete paths and steps. Interspersed are a number of breeze-block and corrugated-iron stores and workshops in which the creative process took place.  Timber moulds and formers were built to imprint the decorations, and reclaimed objects, chickenwire, hub caps, dustbins, bottles, washing machine drums and bedsteads often form the basis of these three dimensional structures.

Santa Maria del Fiore, Florence

It is certainly true that about thirty of the models are of famous Italian  buildings, and that Mark Bourne and his wife Muriel holidayed regularly in Italy, taking photos and making drawings which were then copied in concrete at home in Wales.  It rains a lot in the mountains, and no doubt when the concrete would not set he had plenty of time to inscribe the calligraphy on the slate plaques which adorn each piece.  But there is much more than Italy represented here.  Rather, it seems that while Mark Bourne might have written an article, or I a blog on a subject which caught our interest, he instead committed it to concrete.

Randomly perched among the models, and all labelled, are the Brick Kiln at Amlwch, Anglesey, the Nash Lodge at Attingham Park, Boyana Church at Sofia, Bulgaria, and the worlds longest brick bridge, the Goltzsch Viaduct which takes trains from Mylau to Netzschkau in Germany.

‘World’s largest brick bridge. 26,000,000 bricks’.  Jonathan Fell surveys the garden.

A model of York Minster and accompanying plaque marks the accession of Rowan Williams as Archbishop of Canterbury.  Another plaque list the names, ages and occupations of the occupants of Carreg Llwyd as recorded in the 1841 and 1851 censuses.  When Mark Bourne wanted to remember something, he did not make a note, he made a model.

People gave him stuff which he incorporated into the garden.  Pieces of architecture, concrete urns and figures, and Victorian bricks.  One friend, John Oliphant, gave him an entire brick collection, and many of these are built into a wall visible from the passing footpath, set on their sides to display the lettering on the bricks.  Farther up the same path Mark mounted a concrete geological relief map of north Wales into the wall.

A small part of the John Oliphant Brick Collection

Someone else gave him a bit of artificial stone salvaged from the cargo of the Primrose Hill, a vessel which foundered with great loss of life, on South Stack, Anglesey in 1900.  A complex slate memorial records the story.

And somehow he became the owner of a great many tiny bricks.  They are built into small didactic walls demonstrating different bricklayers’ patterns.  Where else can one find labelled examples of  Flemish Bond,  Stretcher Bond, English Bond, Header Bond and Garden Wall Bond?

Exemplars of five types of brick wall ( and an old bedstead)

Carreg Llwyd is certainly unique, a monument to one man’s creativity, but what is its future?  Its tourist potential is limited. It is up a steep footpath away from the nearest road and there is nowhere to park within a mile.  Once one arrives it is perilous, for the paths, the terraces and some of the buildings are beginning to collapse, ( the Leaning Tower of Pisa is already just a memory.)

Some structures have already collapsed and others are at risk.

Concrete formed upon corroding metal has a limited life, and the whole project though impressive  is crudely executed.  It is magical to stand among the crumbling ruins, overreached by rhododendrons, briars and sapling trees, scraping away the moss to read more of Mark’s explanatory calligraphy on slate. One can also see where once there were vegetable beds, roses, cats’ graves,  a little lawn and water channels flowing through the grounds. But this very personal space was built by hand (and  prodigious amounts of cement), by one poor but passionate amateur, who was still adding to his oeuvre at the age of eighty.   There is no place or access for the machines which might repair its inherent faults.  To achieve maintenance would require the services of a full-time hermit.

A former flower garden among the ruins

Every space within the plot has been adorned with models

A vertiginous view of turrets and workshops from above

This is the ultimate secret garden – most people who come across it by chance feel it is their personal discovery.  Even were it fully repaired and made safe it could take only a tiny number of visitors at any time.  Its plight perhaps bears comparison with Derek Jarman’s shingle garden created around a modest shack in the shadow of the nuclear power station at Dungeness, Kent.  Last year it was announced that the crowdfunding led by the Arts Council had raised £3.5 million to preserve it, and that artist residencies and very limited visiting opportunities will follow.

But Derek Jarman was a famous film director (and gardener)  with many influential showbiz and artist friends.  Mark Bourne, throughout his lifetime, was a very private man.

Share Button

Black History: John Ystumllyn and Scipio Kennedy

by The Curious Scribbler

I recently visited the tiny rural church of St Cynhaearn, which stands within a circular graveyard in the middle of nowhere between Porthmadog and Criccieth.  Worshipers must have walked to it from Pentrefelin and from isolated farms but when you stand at the church there is not a single house in view.  Little wonder then that it is now in the care of the Friends of Friendless Churches.   Fortunate for this lonely church and fortunate also for me, because since Covid the active churches have been strangely unwilling to leave their doors open. Friends of Friendless churches are the exception: they remain open all the time.

St Cynhaearn, Ynyschaearn

One objective was to see the grave of one of Wales’ early black inhabitants, John Ystumllyn, (1740-1786) who lies buried in the graveyard.   His stone was soon located to the left of the path, propped against one of the many 19th century slate chest tombs.  It seemed startlingly new-looking, clear even of encrusting lichen, but I suppose this is because it has recently been re-cut.

John Ystumllyn’s grave at St Cynhaearn

As I looked around it was clear that the eighteenth century memorials were carved on a locally sourced pale stone, quite different from the dark grey Penrhyn slates produced in the 19th century.  The old local stones are not deeply incised and for the most part are barely legible.  John’s fame perhaps justifies the facelift to the gravestone, but some of the romance has been lost with the restoration.

An unrestored eighteenth century gravestone in St Cynhaearn Church

Recut gravestone of John Ystumllwyn at St Cynhaearn’s Church

John’s life story was published in a welsh pamphlet by local bard Alltud Eifion of Tremadoc in 1888 and can be read in translation by Tom Morris 1971.  The story is retold by Andrew Green in his blog Gwallter in 2017.  According to an oral history originating from John himself, he was a child  trying to catch a moorhen by a woodland stream when he was captured by white men who took him away to their yacht.  His mother ran after them yelling in protest.  It seems highly unlikely to me that he was ever a slave in the West Indies.  He was simply captured in his native land to supply the fashion for a black servant in  the grand houses of 18th century Britain.  Such a trophy is best caught young to be trained for his new life.  The account goes on to say that, on being added to the household of Ellis Wynne of Ystumllyn, he had no language and communicate only in howls and screams.

Ystumllyn, seat of the Wynnes in 1794 by John Ingleby

More likely he had no language that could be understood by his captors, for he seems to have been an intelligent boy.  Alltud Eifion wrote: They had considerable difficulty for a long time in domesticating him, and he was not allowed to go out; but after some efforts by the ladies, he learnt both languages, and he learnt to write; then he was placed in the garden to learn horticulture, which he did more or less perfectly, as he was very ingenious. 



In keeping with the status which their slave boy conferred, the family had his portrait painted and he is shown as a handsome young man.  The local girls certainly thought so, and are said to have competed for the favours of the exotic gardener.  One such was Margaret Gruffydd, another servant in the household who later moved to a job near Dolgellau.   Having run away to get married to her, John lost his post at Ystumllyn but the two were clearly employable: living at Ynysgain Fawr they produced two sons and five daughters, but eventually moved back to work for the Wynnes at Ystumllyn.   He died quite young, suffering from jaundice, aged 46.  The pamphlet identifies the marriages of several of his daughters, who may well have descendants today.  One son, named Richard, grew to adulthood and became Lord Newborough’s Huntsman at the Glynllifion estate.  He is remembered as a ‘tall, calm man, who wore a Top Hat, Velvet Coat with a high white collar around his throat’. He had a family and lived to the age of 92.

The story has close parallels with that of one of my great great great great great great grandfathers, Scipio Kennedy.  He too was a child captured in Africa,  and he was brought to Scotland by a sea captain, as a gift for his daughter.   This was some fifty years before John’s experience. Captain Andrew Douglas of Mains was not a captain in the transatlantic slave trade, but a naval officer, commander of a 60 gun warship which accompanied a convoy to Jamaica in 1702 and returned in 1704.   He bought the young boy in Jamaica aged about seven and brought him back to his home.

Culzean Castle. Rober Adam and the building of Culzean. About Scotland

Culzean in Scipio’s time

Three years later, when the captain’s daughter married John Kennedy, eldest son of Sir Archibald Kennedy of Culzean castle, Scipio was part of her dowry, and took the surname of Kennedy.  In 1710, Sir John and his wife inherited Culzean castle, where Scipio was to spend his adult life.



Much is known about Scipio, (he has his own entry in the Oxford Dictionary of National Biography and a wikipedia page – he is Ayrshire’s first known black inhabitant).  Sir John and Lady Jean invested ‘in his clothing maintenance and education’ and by his mid twenties he was a Christian, could read and write, and worked at Culzean.  As a Christian he was now deemed a free man and  in 1725 he signed a nineteen year contract to continue his employment with Sir John.  This may well have included gardening, for Sir John was exceptionally keen on horticulture.

Like John Ystumllyn, Scipio was popular with the local girls, and in 1727 was severely reprimanded by the Kirk for fornication with another estate servant, Margaret Gray, who bore his child. They married in 1728, and had seven more children.  The multi-talented Scipio served as butler in the Castle, and coordinated in his master’s extensive smuggling activities.  He and his wife also wove and sold cotton and linen goods. In 1744 Sir Thomas Kennedy succeeded his father and built a substantial stone house for Scipio on a large plot in the grounds of the castle, the site of which has recently been excavated by the National Trust. Scipio was now smuggler, weaver and cook at the castle.

Exploring Culzean Castle: The Life of… | National Trust for Scotland

Estate survey showing Scipio’s house and land at Culzean (Image National Trust for Scotland)

Scipio and Margaret’s eldest son Douglas continued in the family’s service and became the body servant of Sir John’s son Thomas Kennedy, accompanying him on his many European tours.    Scipio lived to the age of 80 and is buried in Kirkoswald churchyard and a stone was erected in his memory by his son Douglas, who is also buried there.

Monument to Scipio Kennedy in Kirkoswald churchyard, erected by his son Douglas.

The National Trust at Culzean has issued a long series of blogs which agonize from today’s perspective as to the unknowable questions:  Was Scipio oppressed?  Was he unhappy?   Did manumission significantly improve his life?   Scipio’s manumission document rehearses his life story, in which he represents himself as very fortunate: ‘for as much as in my infancy I was bought and redeemed by Captain Douglas .. and was in a certaine way of being in perpetual servitude in the West Indies had it not been my happiness to fall into his hands purchased by his money with whom I remained for three years or thereabouts.  At which time I was presented to Sir John and his lady …’

It was a lifelong commitment and when Lady Jean died in 1751, she left ‘to Scipio Kennedy my old servant, the sum of ten pounds sterling’ –  which was the same sum she had earmarked for each of her grandchildren.

Scipio  Kennedy and John Ystumllyn seem to have made a considerable success of their rudely transplanted lives.

Share Button

Three thousand years of Archaeology

by The Curious Scribbler

I had an enjoyable day at the Morlan Centre in Aberystwyth on Saturday, at the Archaeology Day organized by the Dyfed Archaeological Trust.  The remit of archaeologists today stretches from the very ancient to the extremely recent,  and this was reflected in the range of talks.  The morning started with the archaeology of yesterday while by the afternoon we were taken back three thousand years to the beginning of the first millienium BC.

Alice Pyper had been having fun exploring the archaeology of Llyn y Fan Fach, the glacial lake which now supplies Llanelli with a clean water supply.  It was not always thus: the water system was built by conscientious objectors during the first world war.   Some thirty of them were compelled to live in two drafty huts  at 1200 feet above sea level to work on the project.  Field archaeology involved excavating and recording the footings of these huts. Documentary sources including newspapers and humorous sketches by the objectors fleshed out the story.  This workforce was of Englishmen who had already served time in prison for refusing to fight.  Michael Freeman pointed out that in Wales objectors were less harshly treated, and that most of the thirty conscientious objectors in Ceredigion were not imprisoned and were allowed to keep their jobs.

Also representing the very recent past is the built heritage of the 20th century.  Susan Fielding of the Royal Commission on the Ancient and Historical Monuments of Wales treated us to photographs of a splendid succession of architectural gems or carbuncles, some listed, others already demolished.  The architects of the Percy Thomas Partnership ( familiar to us here for much of the Penglais Campus) kept cropping up, with Harlech College, Trinity Chapel at Sketty, and the soon-to-be-demolished Broadcasting House at Llandaff, all redolent of the 1960s.   The Prestatyn Holiday Camp ( 1935) and the Rhyl Sun Centre (1980) have both gone, both extravagant expressions of their times, and dear to many people’s holiday reminiscences.

Rhyl Sun Centre by Gillinson Barnett & Partners
Source:Architectural Press/Archive RIBA Collections

The Shire Hall in Mold, dubbed Britain’s leading ugliest building, and the Wrexham Police station are brutalist buildings which will perhaps not be mourned too much.  Still standing, and crying out for a role in a brooding  TV Drama is Ysgol Syr Thomas Jones at Amlwch – one of the very first 1950s comprehensive schools.

Less is sometimes more, and it was strangely gratifying to learn from Clwyd-Powys Archaeologist Paul Belford that we really don’t know whether Offa’s Dyke has a great deal to do with King Offa, when it was built, or quite what it was for!  Opportunities to excavate this world heritage site are few and far between, but one did arise from the actions of a Chirk man who bulldozed 50 yards of it in order to build a stable. ( His ignorance of its historic significance saved him from prosecution in 2014).  Perhaps this vibe for vandalism is in the air around Chirk.  Paul showed us a lidar image of the grounds of Chirk castle.  In the 17th century Landscape Architect William Emes flattened much more than 50 yards of it to create smooth parkland, and submerged a further length of it in an ornamental lake!

Low water levels in 2018 revealed Offa’s Dyke in the lake at Chirk Castle. Picture: The Shropshire Star

Two afternoon sessions concerned the days of the iron age hillfort, a period lasting from at least 1000 years BC.  Hillforts are scattered like measles across the whole of the map of Wales, and with techniques of  aerial photography and lidar more are still being discovered.  Either they are on hilltops with ridge fortifications all the way round, or they are promontory hill forts, situated on the edge of a cliff or at the confluence between two valleys such that fortifications are not needed at the steeper sides.  The archaeologists have been seeking evidence both within the enclosures, where  groups of round houses were situated, and outside them where burials, and farming actvities took place.  Ken Murphy rounded off the day with an account of the iron age chariot burial discovered last autumn in a field not far from a hillfort at an undisclosed location in west Pembrokeshire.  Being buried along with your two wheeled chariot and your horse requires a pretty extensive hole and this type of burial is well known from East Yorkshire. The chariot burial discovered at the evocatively named village of Wetwang, revealed the human skeleton curled  up between the wheels of his chariot, and the horse laid transversely at his head.  The limey soil chemistry in east Yorkshire does not dissolve the bones.

In the Welsh burial bronze fragments of the bit, bridle and horse ornaments testifies to the horse, and an iron sword to the warrior, but their bones are long dissolved.  The iron rims of the wheels and the imprint of the wooden chariot were found.  These items are undergoing conservation at the National Museum of Wales and will then be put on display.

Photo credit: Archaeologists exposing the wheels of the Pembrokeshire chariot.
 Amgueddfa Cymru – National Museum Wales

Share Button

Halkyn Marble

by the Curious Scribbler

In November, when writing about Snowdrop marble, I planned to return to another beautiful and distinctive Welsh stone – Halkyn marble from the Carboniferous limestone of North Wales.  I am grateful to Andrew Haycock of the Welsh Stone Forum for introducing me to this pretty stone.

Halkyn marble font in St Mary the Virgin Church ,  Halkyn.

This stone was recognised for its ornamental potential in the early nineteenth century, when the Marble quarry  first appears in the will of John Salisbury in 1837.  It qualities are amply displayed at Halkyn church, a spectacularly lavish Victorian church built by the First Duke of Westminster in 1877.  At that time the Duke was employing Chester architect John Douglas to extend Halkyn Castle in the Elizabethan style and, finding the existing parish church to be somewhat shabby and, worse still, interfering with the view from the castle, he demolished it entirely and built a new one, also by John Douglas, on a nearby site.  As is often the case with such vanity projects, the unattractive old memorials of the former church were not transferred, except for a Latin-inscribed slab to a former rector, Peter Roberts and  an unexplained but damaged alabaster effigy which hints at an important memorial now lost.

Peter Roberts, Rector, died 1819 must have been fun at dinner ! “In conversation suavis, facetus, hilaris”  – suave, facetious and hilarious  – or at the very least,    ‘Sweet, witty and cheerful’

The master mason who built the new church out of local Gwespyr sandstone was also the owner of the marble quarry at Pant-y-Pwll Dwr, five miles away.  He lost no opportunity to showcase its qualities in the church interior. Four handsome pillars of Halkyn marble separate the nave from the north aisle, the pulpit stands upon a plinth of the stone, and the barrier between nave and chancel is topped with this polished stone.  Typically available in slabs up to 18 inches thick, the massive font is carved from three layers of this particularly impressive rock, with a stem of black marble, probably also of local origin.

Interior of St Mary the Virgin, Halkyn

Interior stonework in Halkyn Marble

The appeal of this stone comes from the fossils within the grey matrix.  These are the stems of sea lilies – crinoids – which were an abundant form of sessile echinoderm, relatives of sea urchin and starfish.  Cut across they look like beads, cut obliquely whole stems are visible.  At a lesser frequency are large bivalved seashells, – productids – which generally look like curved C-shapes in section.

Pillar formed of blocks of Halkyn marble

Large slabs of Halkyn marble  also went to the Duke of Westminster’s Victorian Eaton Hall which was a gothic turretted monstrosity built to a design by Alfred Waterhouse in the 1880s and demolished  eighty years later.

Eaton Hall in 1907 a photograph by John Steggall                                                                                Public Domain, https://commons.wikimedia.org/w/index.php?curid=1339190

Halkyn marble may well have found its way to other properties of the Grosvenor estate.

The original quarry is long gone, subsumed into a huge Cemex quarry just south of the A55 North Wales Expressway, where these abundant  fossils are ground up to make  road-stone. Adjoining the modern quarry one can still find smaller outcrops in which the crinoid stems are eroded by the weather to stand proud of the surface.

Halkyn marble weathers out to expose the crinoid stems

the disused quarry at Bryn Blewog, just across the road from Pant-y-Pwll Dwr the giant Cemtex quarry.

When dry and unpolished the stone just looks grey, raindrops expose some hint of its potential beauty. It is heartening to know that Gwyn Davies stonemason of nearby Rhes-y-cae was able to obtain 100 tons of quality beds of Halkyn marble from the Cemex quarry, so it is still possible to commission a fireplace or stone slabs to ornament a modern project, or to restore a historic one.  A new piece was used in 2011 to mark the end at Chepstow, of the Wales Coast path.

Image result for chepstow wales coastal path

Slab of unpolished Halkyn marble (left) and of Pennant Sandstone (right) mark the end of the Wales Coastal path at Chepstow. copyright BBC News in Pictures

Share Button